Infrared Photography, the Basics

September 16th, 2009 No comments

I’ve been doing a lot of research into Infrared photography and there doesn’t seem to be a single place that contains all of it, so here is what I found:

With DSLRs there are three types of IR Techniques.

  1. Photoshop
  2. Converted Bodies
  3. Filters

Photoshop: Techniques do exist to “imitate” IR photography.  This is a trick and cannot reproduce the amazing images that you can get from IR itself.

Converted Bodies: The main reason that IR photography is not readily available to us is that all DSLR cameras have a IR Filter that blocks most of the IR light from the sensor.   Method #3 is to physically remove this filter from in front of the sensor.  This conversion is destructive, and that body is not longer able to take normal pictures again, it can only take IR images.    Yes, this means you have to carry yet another body with you everywhere you go, but this is the best possible image you can get.   A typical conversion (there are two or three different kinds) is around $250.   The positives are endless, Auto Focus Works, Exposure Controls work (somewhat, you still need to adjust exposure compensation), you can see the image in your Preview Window as it is, you can use it with any lens you like (even fish eye or long zooms that don’t accept filters or use drop ins).

Filters: They are expensive, but can be used and unused as you like.   The draw backs to filters are:

  1. They’re expensive (did I say that already?)
    • Hoya R72 IR Filter, 52mm – 77mm ($90 – $210 respectively)
    • B+W 093 IR Filter, 52mm – 77mm ($114 – $203 respectively)
    • Tiffen 87 IR Filter, 52mm – 77mm ($106 – $153 respectively)
  2. With Filters, you have to use very long exposures (as most of the light is blocked by the IR filter of the camera.
  3. Only certain scenes can be captured (because of the duration required)
  4. AF is disabled (you can’t see anything once you put the filter on) — You have to compose your shot, put on the filter and hope nothing moves, than take the shot.
  5. Exposure Control is disabled.
  6. You have to use a tripod – since you get only a small % of the light you need very long exposures (10″-30″, 30″+ second exposure are typical).

In the next few posts, I’ll delve more into each of these items in more detail.

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Bellport, NY : Art Walk : The Bellport Art Scene

September 14th, 2009 No comments

For all those local:

Come Stroll The Village To Experience “The Bellport Art Scene” in a Village-Wide art show installed in our galleries and shops.

Later Dine In One Of Bellport’s Fine Restaurants.

Reception Friday September 25 6 pm to 9 pm
Exhibits and Shops will be open throughout the weekend

Bellport Village is known for it’s many artists and artisans, contemporary and traditional fine art galleries, antique shops, boutiques and exceptional restaurants.
Now, for the first time we are uniting to celebrate Bellport’s art with this festive evening.
Don’t miss this extraordinary event.

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To DNG or not! That is the question

September 12th, 2009 No comments

I’ve been seeing a lot of discussions on forums and in clubs regarding Digital Negatives.

So let’s put together some Pros and Cons of Adobe DNG:

Pros:

  • You can embed the original RAW file inside of your DNG.  Yes it makes it bigger, but in case you ever needed the original you still have it.
  • If you convert your RAW to DNG (and not store a copy of the RAW).  DNG will be smaller, most of the time, than the original RAW file.
  • DNG is an open format, not a manufacturer specific format.  You want to share you file between a Nikon, Canon, and Sony User?  You can either export your RAW file to a DNG, or TIFF.  Those are your only “real” options.  There are other formats such as PNG, but you’re still chucking a lot of data right out of the window.
  • You can convert from RAW to DNG inside Lightroom as you import, so you won’t even know it happened.
  • This know separate Side XMP file that you have to carry around with a RAW file is no longer needed.  DNG’s changes and history are kept within the file.

Cons:

  • DNG is not a native format for any manufacturer
  • DNG file conversion does take extra time (minimal for today’s computers, but there is still an initial hit, otherwise it is just as fast in opening and convert than the original RAW file).
  • There is a risk — adobe might stop supporting DNG format.  Yes, it’s a very small list and Adobe would be shooting themselves in the foot if they ever do, but it is a possibility.
  • DNG files that include the original RAW file do take up more space than the original RAW file alone.

I personally have been using DNG for about 1.5 years now and have not had any issues.  I really like the ability to export a DNG from lightroom and sending it to a customer without having to tell them how to open it or needing them to install Adobe RAW for Canon.  All of my lightroom libraries have also been converted to DNG, even the original JPEGs.

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OT: Indie music – Brendan James “Green”

September 10th, 2009 No comments

I really enjoyed listening to a bunch of indie songs a couple of weeks go and started to buy their MP3 from amazon.  Here is my favorite so far:


Green – Brendan James

It’s also posted on youtube, if you rather see it there, but the video quality isn’t as good, and it doesn’t seem to be available in HD.

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Mosaics are fun

September 9th, 2009 No comments

I do mosaics and such on my site.  I don’t get too many requests for them, as you need A LOT of digital images all vertical or horizontal for a good mosaic.  I mean a lot of them.  Here is the latest one I did, it’s over 3000 images, but it’s also 30″ x 20″ @ 240 dpi.

sbu2008-mosaic-allHere is the “thumbnail” of the poster.

And here is a small crop — only 33% of it’s size — section of the image.sbu-mosaic-crop

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Stanford’s open-source camera

September 9th, 2009 No comments

Researches at Stanford are continuing their work on an open source camera.  The camera would be an SLR built from available off the shelf parts and fully programmable.  Including refocusing of the image after the image has been taken.   It probably won’t beat a Canon 1D the first time out, but it might be a mighty cool toy to play with.

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Canon 7D Update – Artificial Horizon

September 7th, 2009 No comments

Canon finally seems to have added an artificial Horizon (self leveling one at that) to the body.  At least on the view screen in Live View mode.  Hopefully some version of it also included in the view finder display.

http://www.engadget.com/2009/09/04/video-canon-eos-7d-gatling-gun-shooting-8-fps-of-awesome/#continued

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Stony Brook vs. Hosftra

September 6th, 2009 No comments

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You know what the problem is shooting a sport you like, specially a team you like?   You get drawn into the game, rather than shooting the game.  I’ve been doing well though, in the start I averaged about 200 shots for an entire game.  Last night at the Stony Brook vs. Hofstra game I shot just over 1000 images.   You knew there was a but coming right?  Yeah, I missed the a fumble in the end zone that would have tied the game with less than 5 minutes to go.   The referee was also busy with butterfly or something because he missed the call too, as it should have been a touch down.

It was a good game, but I can say that my feet hurt afterwards.   The extra 20 lbs bag on my back also didn’t help, I should have packed less.  Backuup bodies, lenses, extra water, everything you could think of was in there.

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Will the new Canon 7D do for sports?

September 6th, 2009 No comments

The answer at this point (without actually touching the new body) is a “Yes”.

  • 8+ FPS – This is the same as the 1D Mark II, and 1D Mark IIN pro bodies.
  • Very Fast AF – 7D has a dedicated chip for AF, again same as all 1D pro bodies.
  • Cost: $1699 List Price, vs. Who know how much for the 1D Mark IV.  (5D Mark II is selling for more than $2700, figure we’re looking at $4000 easily for the new 1D)

What it is lacking:

  • 45 Point AF System – we only have 19 AF points.  But is this a big deal?  Not really.  95% of the time you’re using the Center AF point because that’s the only one that is tack sharp.  The rest are still sharp, but relatively to the center point, not as much.
  • Sealed Body – Oh this is a life saver at times, but then again that’s because I’m too lazy to pull out the Hyperphoic protection from thinktank.
  • Battery – Ok this is almost a deal breaker.  On a 1D Mark II battery (a generation old) I can go with over 7000 shots without even looking at the battery charge.  Yes, that’s not even the max, I don’t think I’ve ever run any of my batteries down 100% on  any single shoot.   I’ve actually covered 3 games in a row over 4000 shots with the battery only 50% used.   I also use Lens IS 99% of the time in sports, (Mode 2).   So, what is the power run of the 7D?  No idea, but a grip is going to be needed (Most sports are shot in vertical anyway, so need the button).  We’ll have to wait and see.  Anyone remember the 5D Mark II Battery fiasco?
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Canon 7D

September 4th, 2009 No comments

No, it isn’t a whole new line, it seems that Canon wanted to stop the confusion between the Nikon D60 and the Canon 60D, so they have renamed 60D to 7D  — at least that’s what I’ve read.

It looks very good so far, I sure hope that the 1D Mark IV does not disappoint either as this is just about what I need — without the 45 point AF, and weather seal but than it also costs a lot less than the 1D line.

The highlights:

  • 2 DIGIC IV Chips (AF and Image) (the same as the 1D line)
  • 8+ fps (the same as the 1D Mark II+)
  • 18MP (better than the 1Ds Mark II)
  • 19 point AF system (standard for the XXD line)
  • $1699.00 List Price.

What I would like to know is, did Canon come out with yet another battery for it?  The fiasco with the 5D Mark II’s battery not being available was just ridiculous.

Here are various reviews and even some places that you can buy

You can also pre-order the body (some places with a premium):

  • Amazon.com – (linked as disappeared for now, I’m sure it will be back soon)
  • Berger-Brothers – $1699.00 (pre-order), $1899 (pre-order with 28-135 lens)

Good Luck.

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